Back to Class Page About Sara Pittenger Sara' s passion for needlework is credited to her mother-in-law, Anne. Sara had decided on a birthday gift for her husband, Baaron - a cross-stitch picture of 2 bears on a firetruck. As she herself didn't stitch, she intended to ask Anne if she would execute it. Anne professed her total confidence that Sara could complete the project herself. Sara did and now admits: "I think my husband sometimes wishes his mother had done the project for me because she unleashed a stitching addict." Sara then taught her sister, Ruth, to cross-stitch. In 1991 they attended the Spirit of Cross Stitch Festival in Des Moines and registered for classes in pulled thread work, Hardanger, and making a "band sampler." Since they had only stitched on Aida previously, they didn't realize they were about to make a huge stitching leap.
At a subsequent Spirit Festival Sara took the "Color Auras" class offered by the Caron Collection and immediately fell in love with their fibers and designs. She moved on to a variety of techniques: drawn thread, Hardanger, Blackwork, and multistitch projects which inspired her further: "I personally love band samplers because I like being able to do a lot of different stitches in a project. "
In 1996 Sara and Baaron moved to Colorado Springs where she began teaching at Irving Middle School which has about 1,000 students and is in the largest school district in Colorado Springs. When her needlework project was approved she began developing a curriculum for the class. She approached some local shops about providing discounts or sponsoring the class. She wanted to employ Caron fibers because she knew that they would be especially appealing to the students and Lois Caron sent her a packet of patterns to use.
The first project chosen was one Sara calls "That Darn Bookmark," modified to make it easier for the kids to do. For the second project she decided an ornament would be perfect since it was small, students could learn a variety of stitches and choose their own colors. With the Color Auras ornaments as her inspiration, she created her own design.
Three businesses contacted by Sara have proved invaluable: Ruth's Stitchery* in Colorado Springs, the Caron Collection and Zweigart Fabrics. She elaborates: "Ruth's Stitchery provided me with discounts on supplies... Ruth gave my students a tour of her shop and provided examples of the different techniques that needlework encompasses. She also showed my students the huge array of products that are available to stitchers. It is fun to see them looking at all of the fibers, beads and patterns available. Ruth's also has featured my students as her "Stitchers of the Month" for the month of
May the last two years. The Caron Collection provided me with numerous patterns as well as some samples of floss. Jim Kornecki at Zweigart has listed me as a designer, which allows me to purchase fabric at a discount. With the help of these three businesses I have been able to keep the cost of the class to under $15.00 per student. Our school provides scholarships for students that need financial help."
Most students do not know much about needlework when they begin. The mix of students is broad including both boys and girls from the Gifted and Talented program, to regular education, to Special Education.
Sara emphatically stresses: "My philosophy is that every student will succeed." In teaching this project, Sara breaks it down into very small steps and sequences them in a way conducive to success. She describes this approach: "On the first day I describe what we are going to do...I also show them many types of needlework and some different uses for needlework. We discuss the use of color, different fibers, beads, metallics, and why fabric count is important. Day two is the day I pass out their "kits." Each student receives two pieces of "doodle" cloth, some pins, and a needle...I have them choose a color of 6-strand floss...We discuss how to separate the strands and practice. The third day is spent threading the needle...I teach them how to read a stitch diagram. The needle usually goes from the back of the fabric to the front of the fabric on odd numbers and from the front of the fabric to the back on even numbers. We also talk about counting threads, not holes...I then start teaching stitches that they will be using...I chart the stitches on the board and demonstrate on a large stitching frame... I give them time to practice the stitch and then let them "play" with it...At this point some students are starting to make designs on their doodle cloths; I point these out to the rest of the class. .Before our fieldtrip to Ruth's [Ruth's Stitchery Shop]...I pick out Wildflowers as the base fiber for the ornament...When we are at the shop they get to pick out 2 or 3 solid colors of 6 strand floss, a metallic (number 8 braid), and Mill Hill beads. I have found that 2 students can divide all of the supplies and have enough materials to complete an ornament and a band sampler."
*Note: Ruth's Stitchery is featured as our Shop Focus this month.